July Meeting 2019

Welcome back

Photo by Mabel Amber http://www.pexels.com

Good to see everyone and a nice turnout. Always interesting to have people back after their travels and meet up with new members. Leads to great banter!

Where to begin?

We always start with a catch up and ask for suggestions of what members would like to discuss.

piggy bank
by Skitterphoto at ww.pexels.com

We agreed that, now we are up and running, we could do with a treasurer. Not too onerous a task but important nevertheless.

Please send applications to Writers’ Neuk, unless your name is George Osborne. To be honest, George, we feel that with nine jobs already in your portfolio, one more might tip the balance and we would not like to be responsible for that, what with the additional responsibility and travelling too.

WordPress

photo by Pixabay on Pexels.com

Several members expressed a wish for help in using WordPress and how to write a blog.

It was suggested that we could get together for a workshop and take it from there.

Discussion

We shared a lot about our writing habits, how we overcome them and what we fear most when we write.

In the main, we agreed that dialogue, in fictional and non-fictional pieces, could be difficult to include, as we often tend to emphasize description and character.

However, dialogue can be an effective way of bringing out character traits and moving a story along. We considered this as we brought our work, for this month, to the table and as a result agreed that we would try and bring along a piece of written dialogue, to share at our next meeting.

Our Writing

There had been two suggestions for themes after last month’s meeting. These were:

Write about an emotion – Kindness, or

A beautiful sunset with an interesting person.

An Act of Kindness

First up was a reading about how bullying can be turned around by an act of kindness. A thoughtful piece, weaving a moral outcome throughout. Group members suggested considering who the audience was and the addition of some dialogue, to bring the story to life.

Sunset

One of our members has been travelling in Ireland and sent us an incredibly evocative piece he had written whilst there. It took him back to family summers, on the west coast, recalling all those special memories of childhood: the sun, the sea, the sand, the food and of course parents and siblings. In his absence, another member read it for us and really did it justice. The combination of the written word and the spoken word transported us to that place and time and no doubt made us reflect on past sunsets, in our own distant childhoods. As this was a first draft, it was suggested looking at the structure and polishing up.

Turning a Corner

Kindness was the prompt for the next piece and a theme of restorative justice in the community. It told the story of a young boy who had been reported to the Children’s Panel for mugging an old lady. He found himself at a Residential Care Home for the Elderly helping in the garden and seeking redemption. The group suggested that the Head Gardener’s reaction could be non-judgemental and that there could be some clarification, near the end, when the boy reflects on his situation.

The Lookout Point

Next we heard a beautifully succinct piece, written from the perspective of a character who is well known to its author, as she has been creating her over a period of time. The character is in a position of trust in the community, living and working in the neighbourhood but she is also rather nosey. From her vantage point, she is able to observe and form opinions about how they really lead their lives. Very thought provoking!

Sun Downer

Lastly, we listened to a haunting piece about a meeting between a young walker out late in the mountains of Arran, who comes across an elderly woman watching the sunset. He feels he should offer her help, not realising that she is the Cailleach who is named for the place (Ceum na Caillich or the Witches’ Step). She has watched such sunsets for millennia and surprises the young man by stepping over the ravine to the Castles Ridge (Caisteal Abhail). A great balance of description, dialogue and intrigue.

Inspiration and Support

Photo by Pixabay http://www.pexels.com

As always, everyone was supportive of each other’s work, which always inspires us to write more.

Thanks to Joy and Jenny for this

Next Month

If you feel inspired, try and bring along a piece of dialogue, on any topic, of approximately 200 – 300 words. If you can’t manage that, no matter, just come along, we’d love to see you.

Remember, we meet on the last Monday of each month, which this month is August 26th at 7pm. See you there!

Contact us

June Meeting 2019

Welcome to a new member

Great to have another new person interested in our group. She writes poetry and would like help to edit her work, with a view to publishing. Luckily we have the very person for the job and so have put them in touch with each other. Looking forward to finding out how that has gone, at the July meeting.

Agenda

We quickly agreed an agenda for the evening, conscious that, as a group, we try to fit the content, to the needs of those who attend.

Blog on editor’s visit 

Jenny read out a report on Gale Winskill’s visit in May. Gale is a professional editor and helped us understand more about her role in the writing process. (See Menu for the blog)

What our writers are working on

Each person gave a quick update on what they are currently doing and shared what they want to achieve through the group. They want a meaningful return from the meeting and especially want to go away feeling encouraged.

Contracts

We went on to discuss different ways of publishing and what safeguards you should think about when entering into contracts, especially with someone you have not met, perhaps online. Word of mouth can be the best method of finding someone with the experience you need and who you can trust. That is one of the advantages of coming to a group such as ours.   

Copyright

A question was raised about copyright and whilst, like editing, this can be a complex area, there are ways of getting help e.g. The Copyright Agency. The main legislation dealing with copyright in the UK is the “Copyright, Designs and Patents Act, 1988.”  

Copyright Symbol

Another useful piece of information we shared is to use the copyright symbol at the end of your work. If you Google this there are instructions and videos online to help, depending on which computer system you use.

e.g. © Jenny Hoggan

Our Writing

This is  the part of the evening which can be daunting at first but I now positively look forward to. This is when we share a piece of work that may be from the suggested homework topic but equally can be anything you have been working on, that you wish to share. There were some “firsts” tonight and some “old hands” but hopefully everyone went home with some supportive advice and loads of encouragement!

Writing Retreat

To finish off the evening Mac shared his recent experience at Moniack Mhor, a creative writing centre in the Highlands. 

 

 

 

May Meeting 2019 – Gale Winskill Editor

attention to detail that may not be immediately apparent but is needed to make the final product look smooth and seamless

Welcome to our editing session

This evening we welcomed our invited guest, Gale Winskill, who taught us lots about editing.

Editing is simple … isn’t it?

photo of editor Gale WinskillGale Winskill is a professional editor, living in Fife, who came to give us an introduction to what an editor actually does. My line of work, as with so many others, suffers from a general lack of awareness of just how much is involved, behind the scenes. All the attention to detail that may not be immediately apparent but is needed to make the final product look smooth and seamless.

Everything has its front of house – the facade that is presented to the world – but ask a teacher, a doctor, a nurse, a builder, a chef, a shopkeeper and they will all tell you just how much training, skill and experience is involved in that final product. The same applies to editing.

Reasonably armed, or so I thought, I went along to the meeting. Whatever I thought, you can multiply that by about ten because there was so much to learn!

Gale’s background

On her website, Gale freely admits that her unconventional and indirect path into her chosen career came from a lifelong love of reading and the fact that she will happily read anything.

She has travelled and worked abroad extensively, been an in-house and freelance editor. On top of that, she has a good working knowledge of several languages and is an Advanced Professional Member of the Society for Editors and Proofreaders (SfEP).

What’s more, she is very personable, putting you at your ease: an important point in building a working relationship between author and editor. She is a highly skilled communicator, getting her points over objectively and succinctly. This is my take on Gale’s presentation – a daunting task considering Gale’s expertise. Fingers crossed and apologies in advance!

So what does an editor do?

Gale’s view is that a book needs to be the best it can be. A bad review is no joke and by that time, it is too late – the damage has been done. This is even more important in the age of social media, when reviews and opinions spread so quickly. However, the author is too close to their own work to turn out the final product.

That’s where an editor’s role really comes in. They need an objective eye and to be time efficient. It is helpful if they are positive, rather than negative but equally so, the author must be prepared to accept suggestions, not as critisism.

Gale believes that an editor is the ultimate reveiwer, asking the question, “Why?” It is their job to identify problems that any future reader may spot and bring them to the attention of the writer, so that they can address them, prior to going into print.

Proofreading versus Copy-editing

This was the title of a handout that Gale brought from the Society for Editors and Proofreaders. It had the following, thought provoking, quote by Gerard M-F Hill, which clearly shows the complexity of the task at hand.

“Copy-editing and proofreading are both editing, which is wrestling with words; but proofreading is like wrestling in a broom cupboard.”

Then of course, you have…

Structural editing

Structural editing deals with the big picture, looking at content, organization and pacing. Gale gave us numerous examples of this: logic of the story topic, pace/flow, gaps or holes, characters, genre, style of language, suitability of content, age appropriateness, to name but a few. There are many more but watch this space for a future workshop!

Copy-editing

This asks the question, ” Is the story sound?” “Does it make sense?”

It also includes many more issues such as punctuation, grammar, factual inaccuracy, consistency of house style, formatting and legal issues.

Proofreading

This is the final stage and includes layout, further checking for spelling, grammar and punctuation errors, minor changes in sense, consistency, references and index formatting.

Any clearer?

Well yes, absolutely enlightened and eager for more.

If like me, this has whetted your appetite, then go on to Gale’s website to find out more. Many questions from members came up throughout the evening and no doubt more will come up in the coming months.

I for one, look forward to catching up with Gale again at one of our future meetings. Thanks Gale!

For more information visit:

http://www.winskilleditorial.co.uk/ 

© Jenny Hoggan

Writers on ‘Jealousy’ April 2019

We met, we agreed and we’re going ahead. This is a short update to keep you informed.

Mrs Louboutin

Each day, you’d drift in, hair perfectly straightened, clothes neatly pressed: a pristine white t-shirt or top, a pastel cardigan casually draped over your shoulders, lightly coloured expensively cut trousers, a waft of expensive perfume in your wake.

You’d spend lunch time complaining bitterly that glue or paint had ruined your much admired clothing, about how much it had cost. You’d look straight at me, expecting me to magic up a clothes allowance from an already meagre budget. I wish I had been able to. Just to shut you up. Instead, I joined the others in making sympathetic noises whilst we patted down Primark skirts and trousers, wondering why you wore such clothes to work. I knew why. It was all about status.

Your shoes were your pride and joy. They gave the biggest hint of all about just how much you spent. I lost count of the number of times you wore red soles. We knew they were red, because you insisted on taking them off or adjusting them every break time. I was tempted with the black paint! Just a little nudge would have done. It’s one of my biggest regrets!

You actually believed that you were better than us all, that you were the duchess of the work place. You made sure your conversations were steeped in what I’ll call, ‘economics’, about how much you had saved, your husband’s salary, that kind of thing. Others could only listen, as they frantically wished for payday to come around. I simply wondered why you worked at all.

Then you worked out, through various conversations, but without any hint for me, well not much of one, that my ‘economics’ were greater that yours. And that unleashed the bitch from inside you. The cruel comments, the long calculating looks from my head to my toes began in earnest. I was excluded. No wine nights, no drinks or coffees after work for me. Did I care? No. Because by then only you and I knew just how much of a cold calculating bitch you were, that your red soles should have been green.

© Joy Deacon

To have and to hold. To bloody hold?

Brian turned away from the couple and focused his eyes on the sandstone wall, trying to cloud her beauty from his mind.

It wasn’t all Scott’s fault. The times he had told himself that. And they were pals, after all. Had been since they met, really. The day he charged into a lecture room, his blond hair unkempt as though he had just woken up, all smiles, apologies and correct answers.

They had shared a pint, a laugh, a joint and eventually a flat; a life, almost – until she turned up.

For that, he blamed himself. Brian had met her at a party, the prettiest girl there. Instead of staying and dancing to some average hip-hop, he suggested they went for a drink. In the taxi he texted Scott: PINT? He had since convinced himself that he hadn’t subconsciously meant to show-off, but deep down he felt it, that need to prove a point to this mate who somehow always stole the spotlight.

A few days and a couple of unanswered texts later, she was at his door, not for him, but for his pal. An awkward raised eyebrow from her, a good old pat on the back by way of apology from Scott, and off they went.

Now, here he was less than a year later, watching his loss unfurl. He glanced back to his mate, his hair groomed, ski-tan barely fading, a grey suit hugging his frame like a model. Brian wore exactly the same threads – as best man it had been his idea – but somehow his just felt lank, ill-fitting and uneasy.

Best man? Oh the irony of that statement!

Best man while the not so best one got to have, and to hold, and whatever ever else he damn well pleased with this goddess of a girl. His girl. 

© Andy Frazier

The Watcher

The cold crept through his body, like the jealousy crept through his brain. Insidious, eroding his defences in waves. How had he come to this particular place: this street, this state of mind? He did not wish to be here, either physically or spiritually. Their relationship had seemed solid. Three years and it had not crossed his mind to doubt her. He had thought this might be it, whatever it was.

But then she had moved job. Taken up a position in a new office, in the heart of the city.

Her hours had changed, become unpredictable. Travel took up more time and was unreliable. More worrying was the change in her appearance, even her demeanour. The distance between them had grown imperceptibly, like tectonic plates drifting under their feet. He had tried to reach out across the gap but felt no hands reaching back. Suspicion had grown like a vine around a tree trunk.

Mistrust of even the smallest detail had brought him to this point, when he had decided to follow her. Now, staring up at a lit window, above a row of shabby shops, what was he hoping for? Whatever it was, he was about to find out, as she appeared in the unknown doorway.

© Jenny Hoggan

Carve Up

It’s always the same. Every time. It makes me so, so, so… angry. I watch carefully: the blade, the chopping, the squeals, the sniggering … God, I hate it! I hate them! My teeth grind so hard they squeak.

It’s happening again, now. This time the knife’s in my hand … ha! ha! ooh…

I enjoy the cutting. Hmm, look at ’em, eyes bulging with fear, and they can’t do anything, haha! … but watch. Oh my, I’m drooling, excited. Let ’em glance all they want. The power is MINE!

OOoh! The edge slices into the squishy stuff in the middle. I so enjoy his groan and the sticky pull of the blade; the way his face screws up. I saw back and forwards. Another groan, such fun.

With a final crunch Willie’s eyes stick out like organ stops. My triumph is complete.

What’s that? He get’s to choose? It’s not fair, Mum, he always gets the biggest bit. I cry. The Creme Egg is split… and I’m going to lose out … AGAIN!

© Mac Logan

April Meeting 2019

For this meeting, one of our existing members happened to be in France, so instead of missing the meeting all together we decided to link up using Skype

Welcome!

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Kilconquhar Loch – a quiet garden for contemplation and inspiration.

Good to see old friends and this time a new face! Always welcome to add new experiences and interests.

French Connection

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For this meeting, one of our existing members happened to be in France, so instead of missing the meeting all together we decided to link up using Skype. Would it work technically or meet our needs? It did! Not only could we interact throughout the general discussion, it even worked when we split up into groups. Whilst we do not plan to use it all the time, it is worthwhile knowing that this can be achieved.

Writing Software

Our new member had been interested in the discussion, in last month’s blog, about the different types of writing software available.

We continue to explore this topic but feel we would have to gather more information and perhaps look at functions, applications, pros and cons. We will return to this but meanwhile, if anyone has experience in this area and can offer advice, please get in touch. Happy to collate information and share.

Loglines

As a group, we had agreed to come prepared with our own example of a Logline.

What is a logline? – a very brief and enthusing synopsis of a script, screenplay or book, which includes a hook to stimulate interest. Usually one sentence but can be two.

You need:

  • Character
  • Want
  • Obstacle

It must be:

  • Clear
  • Concise
  • Creative

Here are some of our example loglines

  • Sam Duncan, must stay alive, find the people who want him dead and stop them killing his little sister…who they’ve mislaid.
  • It’s a hot summer in Braeness, where visitors and locals mingle during the annual festival. Gossip abounds, old scores are settled, and many lives changed, not necessarily for the better.
  • The past cannot be changed but can the truth? No matter how far down you bury a lie, somehow the truth will dig it back up again.
  • The shepherd travelled far and wide and learned his treasure was already within him.
  • Sir Edward Feathers QC, an aged and mysterious barrister, reflects on his eventful life in London and Hong Kong, giving a glimpse of the British Empire, through his mordantly funny wit.   

What did we learn? That it is much harder than it looks! The question came up, “What is the difference between a logline and a mission statement? Good question, which we will return to, once we have mastered the former! 

Character Development exercise

Over refreshments, we split into two groups and each group set the other a challenge to create a character in fifteen minutes. These were:

  • an angry, destructive teacher
  • a co-dependent, addictive woman

To help us, Mac prepared a help sheet with ten points and questions, to use as prompts. These included the character’s:

  • goals, motivation, purpose which will become important
  • fears, flaws, insecurities and how these might affect their success
  • story-helping history and what is happening to them now
  • personality traits or quirks that will prove to be significant
  • name and how this will shape their emerging role

This proved to be an interesting experience, not least because we were working with others; writing can be a solitary business and working alone, we tend to get our own way! A valuable checklist, which we will no doubt use again.

Our Writing

To finish off the evening we shared our individual writing on the theme “jealousy”, in 200 words maximum, which we had agreed upon at the end of last month’s meeting. This was really enjoyable and what struck us was the variety of angles and styles that everyone took. Happily, the general consensus was that everyone had hit the brief successfully. Some of our examples are available here. See what you think!

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LOGLINE

On the basis of our follow-up discussion we decided to do a further example for the next meeting but this time on a standardised storyline. The advantage of this is that everyone knows the story and we can compare outcomes.

A logline tells the essence of a story. We chose Cinderella.

Next Meeting, 13th May, 2019

We met, we agreed and we’re going ahead. This is a short update to keep you informed.

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Why not write and share with us?

LOGLINE

On the basis of our follow-up discussion we decided to do a further example for the next meeting but this time on a standardised storyline. The advantage of this is that everyone knows the story and we can compare outcomes.

A fairy tale tells a story, in its simplest form, so we chose Cinderella. Let’s see what we come up with!

WRITTEN PIECE

Anyone who wants to, can bring some text to share up to a maximum of 300 words. The topic can be anything you like. Last time we had exceptional readings on a variety of topics. The contributions were engaging and of surprising depth.

Gale Winskill

Find out more about Gale at http://winskilleditorial.co.uk/. We have a blog from her here.

April 8 Meeting Report

A blog about our last meeting approaches readiness. But then again, you know what deadlines are like…

Blog with us. Got something to share? Get in touch.

Directions? Why not come along … and enjoy a pleasant evening, with interesting people who are into writing?

Come blog with us … Let’s blog let’s blog away.

Get involved in producing blogs for our site. There are other opportunities in Colinsburgh Library and, elsewhere in our community.

Dyslexia-friendly

We are moving forward with our dyslexia-friendly approach. It’s a browser thing. General info here. Apple tips here.

Mac

 

March Meeting 2019

From the first, we have been keen to steer the group in the direction members need and want. To that end we had a discussion and agreed on two things for next time.

Feels like we’re getting the hang of this! At our first meeting everything seemed strange and new. A bit stressful if I’m honest.

Getting organised, opening the building, getting the heating right, where to sit, what to speak about, meeting new people, making them welcome. It was early days for a new group.

Winter weather, Christmas holidays and the dark days of January all took their toll. Burn’s Night gave those with a poetic leaning, a glimmer of inspiration. Our first meeting of 2019 brought new faces, different experiences and new ideas for discussion and exploration.

Meeting

March was our second of 2019. I feel we are beginning to tune into peoples’ needs and move ideas forward.

I’m relatively new to all of this and I was fascinated to discover that there are all kinds of things out there to help budding writers:

  • software
  • apps
  • helpful blogs
  • websites

Sure, there are many aspiring new writers, scarily many, but help is there and accessible.

I thought I was doing well ordering my shopping online but words like Scrivener and AutoCrit have now entered my vocabulary, alongside Creative Writing Ink and WordPress. All have been stored away for further investigation.

The other thing that became immediately apparent is that people are happy to share, to listen and be supportive. I for one had used storyboards to teach young children but it had not crossed my mind that I could use them to develop my own writing.

For instance, at the February meeting Andy Frazier showed us an example of how he uses a story board for script writing. Check out Andy’s blog, which gives a basic introduction.

In the beginning

At the beginning of our early group meetings we quickly gave a brief history of what we were interested in and, perhaps, current projects. This helped us get to know each other and our aspirations.

Finding old masterpieces

One group member brought along a folder containing her old writing notes. I’m not even sure if she’d had time to look through them. But it’s surprising how looking back can refresh your ideas.

By the end of the evening she had shared a piece of work that mattered to her. We were glad she found the confidence to do that because it was a wee hidden gem, which we found, mattered to us too. It was a powerful piece, well considered, thought provoking and relevant.

Another member, who had not shared her work at this group before, shared a poem she had penned a while back. She is interested in imagery and it became strongly apparent that she has the ability to convey her ideas through this medium. Thank you both!

Getting published

Not the Life Imagined by [Pettigrew, Anne]One of our returning members explained that a friend of hers, from another writing group, has recently had her first novel published. Whilst this is not necessarily the immediate aim for everyone, in the first instance, it did make our ears prick up.

I for one was subsequently well impressed to find it, with ease, on the Internet. What’s more, with very favourable reviews! Anne Pettigrew, Not the life Imagined.

Using a song

The same member had been interested in taking Andy Frazier’s idea from our last meeting, of using song lyrics for the basis of a short story. Her chosen song was Every Breath You Take by The Police.

Now, like me, you may think of the lyrics as coming from the mouth of a broken-hearted lover. Many couples choose it to play at their wedding. Sting had just separated from his first wife to start a relationship with the person who would subsequently become his second wife, when he wrote it.

However, what if you put a different slant on the words? As our member pointed out, they can have a totally different meaning; the words of a stalker, controlling and menacing. Try listening to them again. She used this to great effect in her resulting short story.

If you come along …

Why not drop in and find out what our group is like. You don’t have to do or bring anything, but you can if you like. You can read a short extract from some on-going writing … anything really … and, of course, you can always try our preparation suggestions, below.

At our March meeting we heard:

  • two brief short stories
  • a poem
  • a chunk of non-fiction
  • an extract of Scottish Historic fantasy-fiction
  • a personal reflection

People responded in helpful and interested ways.

As one of the short story writers, when preparing, I was stumped for a new idea and, for the first time, Googled “creative writing prompts“.

I can recommend it because there are lots, and I found something that ‘clicked’ with me straight away. Job done!

Mac tells me he wrote a blog on writers-block a while back.

Next meeting

From the first, we have been keen to steer the group in the direction members need and want. To that end we had a discussion and agreed on two things for next time.

  • Choose any book and create a logline for it

Image result for logline

A logline is a sentence which summarises a TV programme, film or book that states the central conflict of the story. It often provides both a  synopsis of the plot and an emotional “hook” to stimulate interest. And …

  • write up to 200 words on the theme “jealousy” – whatever it means to you – fiction, non-fiction, a poem, a song … you choose.

Why not come along and share your ideas? Hope to see you soon!

© Jenny Hoggan

Next Meeting, 8th April, 2019

We met, we agreed and we’re going ahead. This is a short update to keep you informed.

Join us at


A blog about last Monday’s meeting is coming, written by a Writers’ Neuk member.

All members are welcome to blog with us.

New blogs are in the pipeline.

Watch out for more.

Directions? Why not come along …

… and enjoy a pleasant evening, with interesting people who are into writing?

Come blog with us … Let’s blog let’s blog away.

Get involved in producing blogs for our site. There are other opportunities in Colinsburgh Library and, elsewhere in our community.

Dyslexia-friendly

We are moving forward with our dyslexia-friendly approach. Guidelines will follow.

Mac

Storyboard Ideas

What I do is take a single simple idea and built a framework around it. In scriptwriting, this is called a storyboard …

February meeting raises Storyboard

After an hour of general discussion about our individual on-going projects the group asked me to share mine with them. This led to my sharing the use of the Storyboard.

What I do is take a single simple idea and built a framework around it. In scriptwriting, this is called a storyboard and is the basis for a variety of writing styles, particularly fact-based fiction, my preferred genre, where the story needs to follow a set path.

E.G. – developing a movie idea

In this case, my task was to take a song lyric, deconstruct it into its characters and then imaginatively shape a life around each one of them.

My chosen song, ‘The Piano Man’, by Billy Joel, is about people visiting a late night bar to drown their sorrows and contains the formidable line, ‘they are sharing a drink they call loneliness, but it’s better than drinking alone!’

the Cork-Board

Basically a storyboard is just a scratch pad or, to use Scrivener’s process, a cork-board where you pin up post-it notes and can shuffle them into some sort of order. So on each ‘post-it’ I head it with each character’s name and pin them all in one section.

cork-board

I am fortunate in my recent writing life to have researched a massive history book which involved me interviewing nearly 100 interesting people, some of whom were in the final years of life. In almost every case the questions were tailored around what little information I had about them.

questions of characters

Likewise, in this situation, we apply a little intelligence to the questions we ask each player. Of course, there are the obvious ones: how old are you, colour, sex, creed etc? But then we go deeper. Why are you lonely in a bar? What has life done to you to get you here?

real-estate novelist

In one line we are fed: ‘Paul is a real-estate novelist, who never had time for a wife.’ What on earth is a real-estate novelist? So Paul, tell me about your life as an estate agent, wasn’t much fun, eh? Sold a few houses, market crashed, and you wrote what? Maybe you saw how the sub-prime market worked and discovered the smokescreen and corruption that lay behind the banking system that eventually brought the global economy to its knees? That would put me in a late night bar, for sure!

practising politician

Then there’s the waitress, who is ‘practising politics’? We’ve all met her. Doing a night job to pay her way through college? Where better than in a downtown bar? Bound to be a few washed up senators lurking around here?

… and the rest

Each one gets given a history based around what little info we have on them and then, for me, in this exercise, the fun really starts, with the shifting of the pieces. Out of these eight or so sad people, who knows who? Which one has had their life touched by another? Where have all their paths crossed?

select a protagonist

As with all good stories, we need a protagonist, and I chose the old man who is asking the piano-man to play a tune he used to know ‘when he wore younger man’s clothes!’

This guy has been around, right? Bound to have bumped into some of the other players in his 3 score years and ten? So I stick him in the middle, and weave the others around him.

it’s a learning exercise …

As this is only an exercise, I want to keep it tight, maybe a script for a 15-minute movie, or a short story. So I make only three to four scenes involving each player, each on its own post-it. I am a great believer that scenes and characters are only borrowed and there is rarely anything original left to invent, in the same way that there are only so many notes in a music scale. So, in the majority our scenes we use everyday situations that readers can relate to.

pull it together

The timing works out that the old man could have been a veteran from the Vietnam war, so there is his first scene, in the jungle in 1969. But we don’t want a chronological history of each person; that’s no fun, far too conventional! So let’s mix them up. Paul sold houses – maybe he sold one to the old fella just before the market fell?

That waitress seems like a nice girl; perhaps she helped the old man across the road or woke him up when the train reached his stop? Venn diagram centre! So finally, when we walk into that bar at 9 o’clock on a Saturday, a quick look around and we have everyone pegged down.

neat line, neat idea

Eventually, after some enjoyable head-scratching, this exercise will end up with maybe 15-20 scenes, all in a neat line, so the author, and subsequent director, can colour them in as he or she perceives them. As with musical notes, it is the combinations and order in which they are played that make a tune.

That, to me, is what a storyboard is, a simple melody.

© Andy Frazier